Digital Collection

Colección Archivo Fotográfico de la Protesta en Chile 2019

These photographs, compiled by Alejandro Martínez Rodríguez and Camila Reyes Alé, document the multiple forms of visual resistance that emerged during the early months of protest (roughly from October to December 2019), from graffiti to larger-scale interventions, many of which were subsequently modified or destroyed. These forms of resistance have become a contested territory, especially (but not exclusively) in the streets of Santiago, rendering visible the alarming discontent of the Chilean population. The aim in establishing this digital archive is to offer an accessible platform for educational and research purposes and, most importantly, to have a permanent record of forms of resistance that are being actively and purposefully erased. The archive will continue to grow as additional contributions are received.

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This collection of photographs, also included in the Latin American Ephemera Collections, documents the social upheaval and crisis in Chile that began in October 2019. The nation-wide mass protests which went on steadily for months—only deterred by the restrictions imposed due to the COVID-19 pandemic—were triggered by an increase in subway fare in Santiago, the capital of the country, by $30 pesos. Students led the movement by calling for and performing fare evasions en masse, which was met by police repression inside subway stations across the city. A series of attacks on the subway system on October 18, which prosecutors have yet to clarify, led to the government declaring a “State of Emergency” and the military taking control of the population through extended curfews and restrictions. People across the country followed by taking to the streets in numbers not seen since the country’s return to democracy in the early 1990s, rejecting military presence and demanding structural changes to the constitution—hence the phrase “no eran $30 pesos, son 30 años” (“it’s not just $30 pesos, it’s 30 years,” alluding to the 30 years since Chile’s return to democracy in 1989). The force and brutality with which these protests were met, above all by the police (Carabineros de Chile), reignited public debate regarding human rights violations, in light of the country’s traumatic history. 

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Princeton University Library claims no copyright governing this digital resource. It is provided for free, on a non-commercial, open-access basis, for fair-use academic and research purposes only. Anyone who claims copyright over any part of these resources and feels that they should not be presented in this manner is invited to contact Princeton University Library, who will in turn consider such concerns and make reasonable efforts to respond to such concerns.

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[Identification of item], [Sub-collection name (if applicable)], Colección Archivo Fotográfico de la Protesta en Chile 2019 Collection, Princeton University Library.

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