November 30. Iglesia de la Veracruz, Barrio Lastarria, Santiago. Artist Miguel Ángel Kastro, frame by Museo de la Dignidad.

These photographs, compiled by Alejandro Martínez Rodríguez and Camila Reyes Alé, document the multiple forms of visual resistance that emerged during the early months of protest (roughly from October to December 2019), from graffiti to larger-scale interventions, many of which were subsequently modified or destroyed. These forms of resistance have become a contested territory, especially (but not exclusively) in the streets of Santiago, rendering visible the alarming discontent of the Chilean population. The aim in establishing this digital archive is to offer an accessible platform for educational and research purposes and, most importantly, to have a permanent record of forms of resistance that are being actively and purposefully erased. The archive will continue to grow as additional contributions are received.